Sally Mann's exhibit in the Forth Worth Museum was seized by police for being "obscene." [I interviewed Mann in 1993 for a paper, specifically focusing on her collection At Twelve and Immediate Family.] For those of you experiencing a case of deja vu when reading that sentence, yes, in fact, we did already settle this exact issue in 1990 with the Mapplethorpe obscenity case, and y'all I'm tired, but more than that, I am concerned that this time when Art fights the law this time, we will lose. I am very much trying not to feel as though we have already lost, and to focus instead on where to go from here.
Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts
Thursday, March 20, 2025
When Art fights the Law
love & peace,
Heidi
see others about:
Art,
censorship,
First Amendment,
Free Speech,
March,
March 20,
Sally Mann
Thursday, November 10, 2022
The Art of Justice
Policy is an instrument of art, ideally of justice, even though it has been put to unjust use. Justice is known through practice. A community is known by what we have. "I am because we are" is the Ubuntu concept-word of the revelation of the self through its relationship and participation in a community. This is The Art of Justice.
love & peace,
Heidi
see others about:
Art,
Community,
dissertation,
ethics,
justice,
November,
November 10,
public policy,
ubuntu
Monday, June 13, 2022
The Composite Incompossible
This was a lovely collaboration last year, and I'm delighted to see it published.
https://www.performancephilosophy.org/journal/article/view/354
love & peace,
Heidi
see others about:
Art,
June,
June 13,
life of a Philosopher,
performance,
philosophy,
publications
Wednesday, June 1, 2022
Death Blowing Bubbles
"Death blowing bubbles" 18th century. The bubbles symbolize life's fragility. This plaster work appears on the ceiling of the Holy Grave Chapel in Michaelsberg Abbey, Bamberg in Germany.
love & peace,
Heidi
see others about:
Art,
art history,
Death,
June,
June 1,
life of a Philosopher,
whimsy
Monday, March 28, 2022
Hope
"If we want to truly endure, we can't just focus on what it takes to merely survive. We have to focus on what it takes to truly live. And that doesn't just come from the head; it comes from the heart. So the non-essentials, as you call them, the writers, the artists, the dreamers--they are essential, because in our darkest hours, they give us the most essential ingredient to the survival of our species: Hope. And in the end, it is hope, and only hope, that will save us."
----Jillian, Salvation, S1:E4
love & peace,
Heidi
Sunday, November 7, 2021
Bluebeard's Castle
love & peace,
Heidi
see others about:
Art,
Jefferson Center,
music,
November,
November 7,
opera,
Opera Roanoke
Friday, June 4, 2021
A Title
One of our early Jedi meetings, sometime during the bleak midwinter after I had come back down the mountain from my first stay at Light Morning, the conversation went, as it so often did, to community and helpfulness.
I sat, discussing my pervasive sense of isolation. I shared from a deep truthfulness of myself, made possible by the acceptance and love that had been cultivated amongst us. There were tears, a new experience for me but one I was coming to recognize as signposts along the Way of having wandered into something important, fertile, and previously unseen. I spoke of not understanding this artificial notion of separation within a community. I stated that a community is known by how it shares, thereby imparting value to the giver and the receiver by connection, completing a circuit, because community is an energy. "There is no I give and you take," I said. "If you're a community, for real, there is only we have, together."
As I looked into earnest faces, I saw acceptance and love, as always, which grounded me, and confusion, which surprised me. I laughed, which confused the three listeners back, my beloved Jedi Council. "Well, if this is confusing to you, who are enlightened ones, what hope is there even?"
This might seem like an odd anecdote to begin a missive that is, ostensibly, about my dissertation. But friends, that moment -- its truth, its acceptance, and its attendant despair -- has stayed with me in everything I do.
Charlie asked to have lunch a few weeks later, wanting to talk more about how I see community. We had a lovely conversation, and I mentioned another thing I see as obvious: I'm not here to get my way. God didn't make me to get my way. My spiritual practice is to get me and my way out of The Way of being useful, because the Universe has a plan and I'm a significant part of it, as are we all.
This means I have to do the work to get over my own stuff, not so that I can be amazing and stellar, but so that I can get to the work that the Universe has in mind for me. Each of us has a role to play; it's different for each of us, but discerned through being in relationship with each other. God made us unique as part of the plan; we are each an instrument, a tool of God, and he didn't need seven billion screwdrivers.
My academic and personal path has wandered through many fields since that conversation, but my heart hasn't strayed far from the truth that I found that evening.
This morning as I sat thinking over my most recent exploration into the intersection of ethics and public policy (last month I wrote "justice is a practice" and I knew that was true, but I didn't know what that meant yet), the events from court and the weeks leading up to it were present, more present than the writings I've been reading lately (Dewey, Mill, Rawls, Sandel, Weber) and more present than the blunt fences of my PhD program (College of Education). I thought of what Robert described as the Aikido shift that happened within me recently, where I had had my fill of injustice and was, like the true mother in Solomon's court, willing to relinquish my claim in the moment, making space for peace. The whole situation, I reflected as I hoed up weeds, was a seat at a table set with a poisoned feast.
I made tea and sat with my notebook, wondering if justice is a practice, what, then does that look like? What, if anything, does it mean?
I've been working with music a lot lately -- designing a symphony and also thinking about the art of improvisation, with its ephemeral quality that we so often overlook since it is so temporal, but how reflective of Kairos improvisation is, and perhaps all the more skillful the artist who can deploy and compose in that realm.
Then I stumbled across Collinwood, in his work The Principles of Art.
"Individualism conceives a man as if he were a God, a self-contained creative power whose only task is to be himself and to exhibit his nature in whatever works are appropriate to it. But a man, in his art as in everything else, is a finite being. Everything he does is done in relation to others like himself."
And: The artist "understands his artistic labour not as a personal effort on his own private behalf, but as a public labour on behalf of the community to which he belongs. Whatever statement of emotion he utters is prefaced by the implicit rubric, not 'I feel' but 'we feel.'"
And here we are, at the heart of my thesis, reconciling individual freedom and the moral mandate. Policy, I hold, is a method, ideally of justice, even though it has been put to unjust use as we have seen in personal live and in the systemic injustice that ravages human history. Justice is known through the practice of the method, I wrote last month. A community, I said so many aeons ago, is known by what we have. "I am because we are" is the Ubuntu word-concept of the revelation of the self through its relationship and participation in a community. This is The Art of Justice.
Thanks for reading.
I am because we are.
P.S. Volume 2 will be The Art of Peace, with its final chapter being "Waging Peace."
love & peace,
Heidi
see others about:
aesthetics,
Art,
Community,
dissertation,
improvisation,
isolation,
June,
June 4,
justice,
kairos,
ubuntu
Tuesday, December 29, 2020
Dreams and art
Earthquakes, hospitals on fire, lunch dates gone askew. My dreams lately are almost as disorienting as the nights of insomnia which precede them.
The tumultuous times are perfectly summed up in this painting by Hokusai, and this article by Jason Farago from August is a lovely deep dive into my favorite of the "Thirty-six Views of My. Fuji."
The mountain is a gesture; the wind and chaos are solid and undeniable. Yes.
love & peace,
Heidi
Saturday, May 16, 2020
Station Eleven: Emily St. John Mandel
Emily St. John Mandel's Station Eleven, set in a world a generation after apocalyptic flu erases modern society as we know it, is not a straightforward apocalypse novel. The wholesale removal of civilization as we know it is the conceit that allows her to explore what rebuilding looks like, and how we interact with ourselves and each other in a non-electrical life. The writing is graceful, elegant, and tender without triteness. The reader feels invited to walk with these characters, and I felt a tenderness toward them, exposed as flawed and human and beautiful. This is not a lecture on civilization and its discontents, but a gentle revelation of people in relationship with themselves and each other.
The result is an elegant rendering of the interwoven nature of relationships and how small things, especially living our art, have such a meaningful and lasting impact on lives we glance through. What has power in the book are the acts of living in creativity -- the gift if the paperweight, the act of putting on a play or making music, the drawing of a story. These are the things that change others, even if we never see how they are changed, and they are the ways by which the characters know themselves.
Art connects us to love and to each other. Through the pain, through the mistakes, through the inconveniences and difficulties of daily life.
Because survival is insufficient.
love & peace,
Heidi
see others about:
Art,
books,
creativity,
Emily St. John Mandel,
May,
May 16,
ove,
reading,
reading log
Thursday, February 14, 2019
The Artist and The World
love & peace,
Heidi
see others about:
Art,
camus,
existentialism,
February,
February 14,
love,
philosophy,
rebellion
Monday, February 4, 2019
Art and Happiness
love & peace,
Heidi
see others about:
Art,
camus,
creativity,
February,
February 4,
happiness,
love,
Muse'
Saturday, September 15, 2018
Thursday, September 6, 2018
Tonight, and the weather, and my heart
I'm always heartened and dashed in equal measure after the visits.
So.
A bath tonight.
And walking tomorrow morning at dawn.
And there is beautiful music in my life as I settle in to work on the third and final critique for delivery tomorrow (draft will be set aside to percolate before a final form for delivery tomorrow to the writing group). The library discussion forum posts are in for the week as well, and my questions about the local law library have been sent. It's all nearly squared away for the week.
The weather continues to leave me limp.
There is the promise of storms and a return to autumnal clime.
My phone has decided that I shouldn't be bothered and ceased connecting calls, which is as delightful as it is irritating, and perhaps moreso. The replacement phone shipped today.
The cover of The New Yorker this week features a lovely summer landscape with a gorgeous couple on a lawn while others lounge about in the distance, basking in the sun, she stretching under a floppy straw-brimmed hat, he relaxing in the shade in a suit with a lime popsicle (or possibly pear; it's hard to discern flavor from color). The veritable image of late summer cool in the face of withering humidity and lingering lazy heat that refuses to acknowledge the turn of the calendar, the ringing of the school bell, the shift in the nightlife. "Leave the chairs on the patio," it seems to demand, "and buy another dozen Italian ice. We aren't going anywhere yet."
I want to frame this one.
love & peace,
Heidi
Friday, June 10, 2016
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